E.V. Day’s Pollinator Series consists of sculptures that replicate the reproductive organs of flowers from Claude Monet’s garden and lily pond in Giverny, France. In the Summer of 2010, as the Munn Artist-in-Residence of the Versailles Foundation, Day had access to these living treasures, grown from the same seed-strains that Monet propagated when he was living there. Day followed the gardeners at Giverny in their rounds at daybreak, as they clipped the fleurs fanées (fading flowers) and also the blooms that were at their most colorful, vigorous peak but wouldn’t survive the heat of the morning sun. She sifted through the gardeners’ wheelbarrows for these latter blooms and preserved those specimens by means of a microwave flower-press. She scanned the best of each flower variety into a two-dimensional image, creating a memorial of sorts to the flowers’ life-giving role. From these scans, Day then used digital-processing and three-dimensional modeling to reconstitute each flower, reconstructing them into sculptural forms with weight and mass. The ephemeral, fleeting quality of the flowers Monet planted has been transformed into a monumental and rigid tribute. Fixed, everlasting, and transportable, these massive flowers transcend geographical specificity; they’ve flown beyond the garden walls at Giverny, but remain symbols of the powerful environment of fecundity and fertility Monet created more than a hundred years ago. With their polished, metallic surfaces, these sculptures become, both literally and figuratively, places for reflection about reproduction and replication, about endurance and timelessness, and about using technology to give an evanescent life form a futuristic, alternate existence.